delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
Cloudward, Ho! is the newest Dimension 20 campaign of actual-play D&D with its classic cast of comedy improvisers. This one is an aeronautical adventure set in a steampunk universe, about a motley crew who set out on a quest in search of a lost continent and the expedition that disappeared before them. The first episode just came out yesterday, and I really enjoyed it!



Some Notes About the Premise (Moderate Spoilers) )
I'm looking forward to seeing where the campaign goes from here! Anyone else watching or planning to watch?
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
[personal profile] kingstoken's 2025 Book Bingo: YA/Children's

Wildwood is a 2011 children's novel by Colin Meloy, also known for his work as frontman for the Decemberists, with illustrations by Carson Ellis. It follows the adventures of two pretty much contemporary American children, Prue and Curtis, as they set off into the woods to rescue Prue's baby brother (who was carried off by crows) and discover a secret civilization of people and talking animals who have lived in the Impassable Wilderness for centuries and are now locked in a brewing war for control over it.

Things that would have made me love this when I was a kid:

• The world-within-a-world element. A magical society living just outside a regular city? Hell, yeah.
• Rich and vivid language, with an appealing narrative voice.
• Its worldbuilding (although I'm going to put a pin in this), which generally walks a nice line between whimsy and grit, with rules that establish themselves with a light touch.
• The length. This is a brick by children's book standards. It's well-paced and the sort of a thing that could keep a voracious reader busy all the way to their next trip to the library.
• Its sensibility about the independence of kid protagonists in the real world.
• The nomadic society of bandits and their king.
• The illustrations, particularly the full-colour inserts.

This didn't quite hit for me as an adult, but I'm glad I finally checked it out after years of meaning to.

I think the main thing that kept me from really loving it was wanting a little more interiority for the main characters. I get that the book is aiming for more of a fairy tale and Narnia vibe, but: 1) some of the characters' important choices really do hinge on personal decisions and relationships, and 2) this is a 540-page book. Fairy tales aren't built to run for 500+ pages, and it's longer than the first two Narnia books put together. I found myself craving more depth and emotional weight, especially as it went on.

For example... (Cut for Moderate Spoilers) )
Getting back to that asterisk next to the worldbuilding, I also found the story's decisions about diversity (or the relative lack thereof) occasionally distracting. I get it. Portland's pretty white, by design, and was even more so fifteen years ago. There are really only two characters from the real world and their direct relatives, and it wouldn't necessarily land well to be like, "All the characters of colour in this story are people lost in time, living in the woods."

But at the same time, among the predominantly 19th and 20th century settler-coded residents of the woods, you get these moments of groups with Indigenous coding who are either talking animals or white people—with the stereotypical two stripes of war paint and feathers in hair showing up in a picture of the latter. The text takes pains to characterize this group as Celtic, but that raises its own questions when a reference is made that seems to place them there before that territory's colonization, positioning a "since time immemorial" Irish population in the Oregon wilderness.

I often found myself looking at the aesthetics and thinking about those musical festivals full of severed pieces of Indigenous, Roma, and Celtic cosplay and felt like the fantasy here might be coming from a similar place.

The overall whiteness (and straightness, for that matter) of the book kept standing out because it's such a long story with such a huge cast. I did quite like large swathes of this book, but I think the length worked against it because the text kept offering more without necessarily offering more, if that makes sense.

This is the first book in a trilogy, and I have no idea if the subsequent books address or change any of this. I'm not racing to pick up the next one, but I might flip through it at the library sometime to see what it's like.

An Excerpt )

Three videos for this week.

Jun. 3rd, 2025 08:58 pm
numb3r_5ev3n: Dragon pendant I got at a renfaire. (Default)
[personal profile] numb3r_5ev3n
First: The Rise And Fall of Kitschy 90s Restaurants. This is apropos of nothing, except that I feel like the "fall" of these kinds of establishments and their replacement by the "grey/beige/greige late 2010s Millennial Air B&B Aesthetic" is part and parcel of the 2020s Enshittification Of Everything.

2: This echoes my thoughts exactly right now. And it gives me anxiety that all of the Worst People have truly won, if it means that I am pulling back from Web 2.0 social media altogether. Because, as The Functional Melancholic says, it's becoming impossible to tell what's real, in a way that feels dangerously destructive to civilization as a whole right now. This is literally one of the goals of Active Measures, and it appears to have succeeded.

III. Vera of The Council Of Geeks also echoes my thoughts perfectly right now. As well as those of many others, I suspect. This is also my Current Mood for this post. I also just let this loop for like 10 minutes yesterday. That's how spot-on it is.

Also, Sinners is out on streaming, for those who have not seen it yet. Just please, I'm begging you, watch it on a screen bigger than a phone screen if you have any other recourse. I'm serious.
numb3r_5ev3n: Dragon pendant I got at a renfaire. (Default)
[personal profile] numb3r_5ev3n
Cut because the image is huge. )
Image text: Japanese researchers have found a possible explanation for long COVID. They discovered that small fragments of the coronavirus's genetic material can remain deep behind the nose, in an area called the epipharynx, for at least six months after infection. These viral remnants irritate the immune system and may cause fatigue, coughing, dizziness, and "brain fog."

The researchers used an old Japanese treatment called epipharyngeal abrasive therapy (EAT), where the area is swabbed once a week with a cotton swab dipped in 1% zinc chloride solution. After three months, the patients showed:
- significantly fewer viral remnants
- lower levels of inflammatory substances
- noticeably reduced symptoms
The treatment appears to both remove the lingering virus and calm the inflammation. A larger clinical trial is now underway in Japan to confirm the results. This discovery could lead to more targeted treatments that address the root cause of long COVID symptoms instead of merely managing them.
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
I spent the last two days playing Old Skies, the newest point-and-click adventure game from indie studio Wadjet Eye Games, and I ended up loving it!



You play as the employee of a time travel company in the 2060s who accompanies clients—wealthy people, or academics with grants—to the past for nostalgic or educational experiences. She is also often hired to change the past, within the company's algorithmically defined parameters for what can be changed while preserving the "important" parts of the present timeline. As a result of her job, the protagonist is one of the few people anchored in the timeline who is aware of the constantly flickering reality around her, in a world that's always rippling with the aftereffects of these commissions.

It's a way of living that the protagonist begins to have more questions about as some of the cases she's handling start to overlap with each other and with her personal life.

The game has a lot of elements that I tend to like in this studio's games, including many well-developed NPCs to meet, puzzles that are interestingly varied but not fiendishly challenging, a point of view to the story, and some clever mechanics. Wadjet Eye has always leaned toward having diverse casts of characters, but this is definitely the queerest game from them that I've played so far, which was a happy surprise.

My usual complaints about Wadjet Eye games persist on just two fronts: 1) the voice acting is generally great, but there's always one or two odd choices in the mix that sound jarring, and 2) they obviously care a lot about music when it comes to licensed or commissioned songs, but the background soundtrack often just loops around in ways that don't match what's going on in a scene. But those are obviously very minor issues, and this was overwhelmingly a well-made and thought-provoking game that I had a great time playing and couldn't put down once I'd started it.
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
Fandom 50 #18

Untitled Chibi Jim by StarBramble
Fandom: Our Flag Means Death
Character: Jim Jimenez
Medium: Art
Length: 1 piece
Rating: SFW
My Bookmark Tags: action/adventure, happy ending, portrait, clothing, blades

Description:
A chibi-style drawing of a smiling Jim Jimenez in a fencing pose with their dagger, dressed in their season 2 outfit.

This is just super cute. I love Jim's adorkable moments on the show, and I always love a good juxtaposition of cuteness and deadliness. Jim's ready to star in their own stabby Little Golden Book here, complete with a loving representation of my favourite ensemble of theirs: the undercut, the mustard-colour shirt hanging artfully open at the collar, the suspenders, the earring. I just want to take them home with me.

Update from last post.

May. 28th, 2025 02:00 pm
numb3r_5ev3n: Dragon pendant I got at a renfaire. (Default)
[personal profile] numb3r_5ev3n
I was able to take a few days off from work, but it's not nearly enough. I got to the Scarborough Faire renfaire again and some craft stores. But I'm really mourning the loss of Joann Fabric. It, like Toys R Us, is a victim of Vulture Capitalists stripping it for parts.

It was the last "fabric store" out there, since Hancock Fabric closed down in the 2010s. Michaels has fabric and some sewing supplies, but it's not geared towards sewing and the selection is kind of sparse. Same with Wal Mart - but it's Wal Mart. Snobby Lobby is not even worth mentioning, and those bigoted rightwing antiquities thieves can go get bent.

I really don't want to have to order stuff from Etsy every time I want to take on a sewing project that I can't find supplies for locally. This really sucks.

The owner/founder of Texas Renaissance Festival was found dead. That's all I'm saying here without a cut, but here's an article on the subject. Warning for Unpleasant Stuff. I guess we'll see what all of this means for Texas Renaissance Festival this year.

But, changing the subject, one thing that I've noticed that bothers me is that it seems like my ADHD is worse than ever. It's nearly gotten me into a few wrecks that only reflexes saved me from, and it's led me to make a few impulsive decisions that I've regretted later. I know I have to go back to therapy and get back on meds, but I don't want anyone to try and strongarm me into taking SSRIs again. And yes, the loss of Joann's is a blow because crafting is kind of how I blow off steam when I need a mental health break.

I feel like our Capitalist Overlords really want to make a world where all we can afford to do outside of work is Sleep, Stream Media from Streaming Services, Doomscroll Social Media, and Play Video Games. Which is an eventuality that none of us should tolerate.

Trust me, I am not trying to stir up nostalgia for the recent global pandemic, in which a lot of people died or were maimed. But there was this aspect of quarantine life, and I feel like it's the part that the so-called "Captains Of Industry" want us to forget the most:

tweet from @c0wbitch, reading "remember quarantine when everyone was making bread and dancing and making art and taking care of plants and just learning new useful skills and we got a small glimpse into what life is supposed to be like"
[tweet from c0wbitch, reading "remember quarantine when everyone was making bread and dancing and making art and taking care of plants and just learning new useful skills and we got a small glimpse into what life is supposed to be like"]
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
Fandom 50 #17

Untitled Cobel/Reghabi by [tumblr.com profile] genderfeel
Fandom: Severance
Relationship: Harmony Cobel/Asal Reghabi
Medium: Art
Length: 1 piece
Rating: SFW
My Bookmark Tags: drama, ambiguous ending, former relationship, blades, fights & breakups, rivalry, sexual tension
Artist's Summary: everybody ready for the toxic mad scientist exes yuri reveal

Description:
Reghabi looms over Cobel, holding a scalpel to her throat. Cobel looks up at her from the ground, neither woman flinching from the other's intense gaze.

Look, I fell completely in love with Reghabi during season 2. I already enjoyed her from season 1, but her bizarre flavour of lack of chill combined with the scene of her eating frosting out of the can put her in perfect woman territory for me. I also ended up even more fascinated by Cobel throughout the season, with Sweet Vitriol in particular being an "Oh, hello" episode for me. Which is all to say, I am so here for putting these two in the same room and seeing what happens.

But if I wasn't already sold on the premise, this art would have gotten me there. It feels like a still from an action scene, with the movement and tension it conveys. It captures the characters' features in a distinct style, and their expressions are perfect, matching each other but with that extra hint of determination on Reghabi's side and coldness on Cobel's. There's the sense that what comes next could be sex, a stabbing, or both, and I love it.

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